Aachen by Colin Brignall, Alan Meeks for Letraset in 1969, 1977
Aldine by William H. Page for William Page & Co. in 1872
Americana by Dave Davison for Photo-Lettering Inc. in 1965
Antique by Darius Wells for Wells & Webb in 1828
Antique No. 31 by Hansen Type Foundry
Aquarius by Ronald Arnholm for VGC in 1967
Arpad by A. Mailay for VGC in 1971
Barnum Block by Dave West for Photo-Lettering Inc. in 1960
Behemoth by Dave West for Photo-Lettering Inc. in 1960
Belizio by David Berlow in 1987
Belwe by Georg Belwe in 1913
Beton by Heinrich Jost for Bauer in 1931
Black Slabbath by Stefan Kjartansson for YouWorkForThem in 2007
Bravour by Martin Jacoby-Boy for Stempel in 1912
Candida by Jakob Erbar for Ludwig & Mayer in 1936
City by Georg Trump for Berthold in 1930
Clarendon by Hermann Eidenbenz, Eduard Hoffmann for Haas in 1953
New Clarendon by Monotype in 1960
Clarendon Ornamented by William Hamilton Page in 1859
Coventry Garden by Nick Curtis for Nick's Fonts in 2004
Craw Clarendon by Freeman Craw for ATF in 1955
Collegiate by Vincent Pacella for Photo-Lettering Inc. in 1960–70s?
Delta by M. Dolman for Mecanorma
Egiziano by Vincent Figgins for Figgins in 1815
Egizio by Aldo Novarese for Nebiolo in 1958
Egyptian by Walter H. McKay for Amsterdam Type Foundry in 1955
Egyptian 505 by André Gürtler for VGC in 1966
Expert by Aldo Novarese for Haas in 1983
Facebuster by Silas Dilworth for TypeTrust in 2008
Fehrle by Erich Fehrle for Linotype in 1976
Figgin by Albert Boton for Hollenstein in ca. 1974
French Clarendon by William Hamilton Page for William H. Page & Co. in ca. 1872
Frozen Alaska by H. Sackman for VGC in 1977
Galadriel by Alan Meeks for Letraset in 1975
Gesh Export by Gerhard Schwekendiek for Berthold in 1972
Giorgio by Giorgio Giaiotto for VGC in 1966
Girder Heavy by William H. Page for William H. Page & Co.
Giza by David Berlow for Font Breau in 1994
Glass Antiqua by Genzsch & Heyse in 1912
Gold Rush by Bruce Type Foundry in 1865
Goliath by Vincent Pacella for Photo-Lettering Inc.
Grecian by John G. Cooley in ca. 1859
Guts by Doyald Young for VGC in 1976
Helserif by Ed Kelton for Alphabet Innovations in 1976
Ironmonger by John Downer in 1991
Italia by Colin Brignall for ITC in 1975
Italian by Caslon in ca. 1820
Ivy League by G. Diamond for VGC in 1975
Karnak by Robert Hunter Middleton for Ludlow in 1931
Knirsch by Christof Gassner for Berthold in 1976
Linear Antiqua by Richard Ludwig for Ludwig & Mayer in 1911
Lubalin Graph by Herb Lubalin, Tony DiSpigna, Joe Sundwall for ITC in 1974
Luxor by Ann Pomeroy for Font Bureau in 1992
Maelstrom by Kris Sowersby for Klim Type Foundry in 2014
Magnus by Bruno Grasswill for Letraset in 1981
Mandinor Italian by Julien Priez for Black Foundry in 2014
Memphis by Rudolf Wolf for Stempel in 1929
Odin by Bob Newman for Letraset in 1972
Otto by Non-Format for HypeForType in 2009
Patriot as Line Chromatic French Clarendon Ornamented
Playbill by Robert Harling in 1938
Ponderosa by Kim Buker Chansler for Adobe in 1990
Post Monotone by ATF in 1903
Profil by Eugen Lenz, Max Lenz for Haas in 1945
Quadra 57 by Karl-Heinz Domning for Berthold in 1974
Rockwell by Frank Hinman Pierpont for Monotype in 1933
Satanic by Frank Bartuska for Photo-Lettering Inc.
Schadow Antiqua by Georg Trump for C.E. Weber in 1937-52
Serifa by Adrian Frutiger for Bauer in 1964
Stymie by Morris Fuller Benton, Gerry Powell, Sol Hess for ATF, Lanston Monotype in 1931
Stymie Hairline by Herb Lubalin, Tom Carnase for ITC in 1972
Stymie Obelisk by Morris Fuller Benton for ATF in 1932
Superba by Edmund Thiele for Haas in 1935
Superfly by Fontalicious in 2004
Surprise by Michel Waxman for Letraset
Tangent by Carbalade Delfant for Hollenstein in ca. 1974
Tea Chest by Robert Harling for Stephenson Blake in 1939
Tower by Morris Fuller Benton for ATFt in 1934
Umbra 27 by Karl-Heinz Domning for Berthold in 1972
Vineta by Ernst Volker for VGC in 1973
Volta by Konrad F. Bauer, Walter Baum for Bauer in 1956
Welt Antiqu by Hans Wagner for Ludwig & Mayer in 1931
Whitin Black by ATF in 1963