Sabon by Jan Tschichold in 1964–1967
Saint Louis by Central Type Foundry
Saladin by Friedrich Poppl for Berthold in 1979
Salisbury Bold by Letraset ?
Salut by Heinrich Johannes Maehler for Klingspor in 1931
Salzmann Antiqua by by Max Salzmann for Schelter & Giesecke in 1912
Sanditype by Steven Mark Bernstein for Photo-Lettering Inc. in 1969
Sans Serif Shaded by Stephenson Blake in 1839
Sans Stencil by Fred Lambert in 1959
Santino by Ariel Di Lisio, Alejandro Paul for Sudtipos in 2008
Sans Souci by QBF
Santa Fe by David Quay for Letraset in 1986
Saphir by Hermann Zapf for Stempel in 1953
Sarah Bernhardt by Photo-Lettering Inc.
Sargon by Michel & Roselyne Besnard for VGC in 1974
Satanic by Frank Bartuska for Photo-Lettering Inc.
Sayer Lights by Manfred Sayer for Mecanorma
Scenario by Phil Martin for Alphabet Innovations in 1974
Schadow Antiqua by Georg Trump for C.E. Weber in 1937-52
Schelter Antiqua by Schelter & Giesecke in 1905
Schmalfette Grotesk as Haettenschweiler
Schmutz by Grant Hutchinson in 1995
Schneidler Old Style / Schneidler Mediaeval as Bauer Text
School Bus by Joe Taylor for Facsimile Fonts
Scorpio by Ed Benguiat for Photo-Lettering Inc. in 1960s?
Scot Gothic by Herman Ihlenburg for Johnson Type Foundry in 1868
Scotch Roman by Richard Austin for Alexander Wilson in ca. 1837
Sculptura by Walter J. Diethelm for Haas in 1957
Seagull by Adrian Williams in 1978
Secession by Eduard Scholz in ca. 1900
Semin Antiqua by Gustav Jäger for Berthold in 1976
Semplicità by Alessandro Butti for Nebiolo in 1930
Sequel by Phil Martin for TypeSpectra in 1970s
Serif Gothic by Herb Lubalin, Tony DiSpigna for ITC in 1974
Serifa by Adrian Frutiger for Bauer in 1964
Serpentine by Dick Jensen in for VGC 1972
Shaolin Style by Joe Kral in 1998
Shatter by Vic Carless for Letraset in 1973
Sheet by Hans Donner, Sylvia Trenker for Mecanorma
Sheila by Laura Worthington in 2010
Shelby by Laura Worthington in 2011
Shelley by Alan Meeks for Letraset in 1982
Shelley Script by Matthew Carter for Linotype in 1972
Shiseido Sans by Adrian Frutiger
Shotgun by J. Looney for VGC in 1972
Siegfried by A. Glaser for Woellmer Type Foundry in 1902
Signal by Walter Wege for Berthold in 1931
Signet by Cleveland Type Foundry in ca. 1893
Silver Screen by Alan Meeks for Letraset
Simone by Karl-Heinz Domning for Berthold in 1974
Simplex by Sjoerd Hendrik De Roos by Amsterdam Type Foundry in 1939
Simplex by Fonderie Olive in 1937
Sinaloa by Rosemarie Tissi for Letraset in 1972
Sintex by Aldo Novarese for VGC in 1973
Sketchetik by Ossi Gustafsson for Hiekka Graphics in 2010
Skin & Bones by Douglas F. Jones for VGC in 1972
Skjald by John F. Cumming for Dickinson Type Foundry in 1884
Sledge Hammer by Alphabet Innovations in ca. 1971
Slim Black by Deberny & Peignot in 1937
Slogan by Helmut Matheis for Ludwig & Mayer in 1959
Smoke by William H. Page for William H. Page & Co. in 1856
Sneaker Script by Ryoichi Tsunekawa for Dharma Type in 2009
Snell Roundhand by Matthew Carter for Linotype in 1966
Sol by Marty Goldstein, C.B. Smith for VGC in 1975
Solemnis by Günter Gerhard Lange for Berthold in 1953
Solitaire by John Walter Denzler for VGC in 1965
Solon Antiqua by VGC
Soul by Jerry Matejka for VGC in 1972
Soutache by Julius Herriet for Bruce Type Foundry in 1873
Souvenir by Morris Fuller Benton for ATF in 1914
ITC Souvenir by Ed Benguiat for ITC in 1967
Souvenir Gothic by Phil Martin for TypeSpectra in 1977
Spectrum by Jan van Krimpen for Enschedé in 1952
Sphinx by Deberny & Peignot in ca. 1925
Spotty Face by Tony Huggett for Zipatone
Spiral by François Dussenty for Mecanorma in 1972
Spire by Sol Hess for Lanston Monotype in 1937
Spring by Bernard Jacquet for Mecanorma
Springfield by Bob McGrath for Letraset in 1978
Square by Erkki Pennanen for Mecanorma in 1972
Squiggly by Joe Taylor for Facsimile Fonts
St. Clair by Julius Herriet for Bruce Type Foundry in 1875
Stack by Les Lawrence for Face Photosetting in ca. 1970
Stan-A-Round by Tony Stan for Photo-Lettering Inc. in ca. 1970
Stan Control by Stan Davis for VGC in 1973
Stan Free by Stan Davis for VGC in 1973
Standard by Hermann Berthold for Berthold in 1896
Stark by Phil Martin for Alphabet Innovations in 1970
Stark Bel Aire by Robert Stark for Photo-Lettering Inc. in ca. 1970
Stark Classic by Robert Stark for Photo-Lettering Inc. in ca. 1970
Stark Debonair by Robert Stark for VGC in 1975
Stationers Text No. 5 by Barnhart Bros. & Spindler
Steel Plate Gothic by Hansen Type Foundry
Steelplate Gothic by Robert Wiebking for Barnhart Bros & Spindler in 1918
Steelplate Script by William W. Jackson for Central Type Foundry in 1888
Steile Futura by Paul Renner for Bauer in 1952
Stellar by Robert Hunter Middleton for Ludlow in 1929
Stencil by Robert Hunter Middleton for Ludlow in 1937
Stencil by Gerry Powell for ATF in 1937
Stencil Alphabet by Eurographic Limited
Stephen Ornate by Julius Herriet for Bruce Type Foundry in 1877
Stettler by Wayne Stettler for VGC
Stilla by François Boltana for Letraset in 1973
Stillson by Barnhart Bros. & Spindler
Stilus by Jean-Louis Reilles for Mecanorma in 1972
Stipple by Herman Ihlenburg for MacKellar, Smiths & Jordan in 1890
Stop by Aldo Novarese for Nebiolo in 1971
Strada by Walter Haettenschweiler in 1967
Stratford by Adrian Williams, Freda Sack for SoftMaker in 1978
Stratford Old Style by Hansen Type Foundry
Streetbrush by Robert Arnow in 2009
Stripes by Tony Wenman for Letraset in 1972
Stymie by Morris Fuller Benton, Gerry Powell, Sol Hess for ATF, Lanston Monotype in 1931
Stymie Hairline by Herb Lubalin, Tom Carnase for ITC in 1972
Stymie Obelisk by Morris Fuller Benton for ATF in 1932
Sub Compact by Gary Cooke for Zipatone for in 1977
Suds by Peter Berry for Letraset in 1973
Sunshine / Moonshine by Michael Daines for Letraset in 1971
Superba by Edmund Thiele for Haas in 1935
Supercooper by Phil Martin for Alphabet Innovations in 1970
Super Grotesk by Arno Drescher for Schriftguß in 1930
Superfly by Fontalicious in 2004
Superstar by Colin Brignall for Letraset in 1970
Superveloz by Joan Trochut-Blanchard for José Iranzo in 1943
Surprise by Michel Waxmann for Letraset
Swagger Capitals by Carl S. Junge for Barnhart Bros & Spindler in 1923
Swinger by Ray Cruz for Monotype in 1970s
Swiss 911 by Matthew Carter in 1965
Symphonie by Imre Reiner for Bauer in 1938
Syntax by Hans Eduard Meier for Stempel in 1968
