Cabalistic by Herman Ihlenburg for MacKellar, Smiths & Jordan in 1879
Cabaret by Alan Meeks for Letraset in 1980
Cable Ultra Heavy by Letraset in 1980
Cadence by Ray Cruz for Schaedler
Caledonia by William Addison Dwiggins for Linotype in 1938
Calendar by Ed Benguiat for Photo-Lettering Inc. in ca. 1960
Calypso by Roger Excoffon for Fonderie Olive in 1958
Camellia by Tony Wenman for Letraset in 1972
Camelot by Frederic W. Goudy for Lanston Monotype in 1896
Cameo Antique / Nightshaded by Charles H. Beeler for Mackellar, Simith & Jordan in 1874
Campaign by Alan Meeks for Letraset in 1987
Campanile by MacKellar, Smiths & Jordan in 1879
Cancelleresca Bastarda by Jan van Krimpen for Enschedé in 1934
Candice by Alan Meeks for Letraset in 1976
Candida by Jakob Erbar for Ludwig & Mayer in 1936
Canterbury by Morris Fuller Benton for ATF in 1926
Cantini by Letter Graphics in 1972
Capone by Tony Geddes for Face Photosetting in 1968
Card Litho by Morris Fuller Benton for ATF in 1917
Card Mercantile by Dickinson in 1890s
Cardstyle Series by Sidney Gaunt for Barnhart Brothers & Spindler in 1914
Carlton by F. H. Ehmcke for Flinsch in 1908
Carlton by Dick Dooijes for Amsterdam Type Foundry in 1929
Carnase Text by Tom Carnase for WTC in 1982
Carousel by Gary Gillot for Letraset in 1966
Carouselambra by Ray Larabie for Typodermic in 2008
Casablanca by Adrian Williams
Caslon 223 by Herb Lubalin, Tom Carnase for ITC in 1970
Caslon 224 by Ed Benguiat for ITC in 1983
Caslon 471 by ATF
Caslon 540 by ATF in 1902
Caslon 641 by ATF
Caslon Adbold by R. F. Burfeind for Keystone Type Foundry in 1913
Caslon Antique by Berne Nadall for Barnhart Bros & Spindler in 1894
Caslon Black by David Farey for Letraset in 1969
Caslon Graphique by Leslie Usherwood for Typsettra in ca. 1980
Caslon Headline by Herb Lubalin, Tom Carnase for ITC in 1970
Caslon Old Face by George Ostrochulski for Stephenson Blake in ca 1950
Heavy Caslon by ATF
Letraset Caslon Italic & Swashes by Freda Sack for Letraset in 1981
LSC Caslon Swash by Herb Lubalin, Tom Carnase
New Caslon by ATF
Cathedral by Martin Wait for Letraset in 1972
Catull by Gustav Jäger for Berthold in 1982
Caviar Dreams by Lauren Thompson
Caxton by Leslie Usherwood for Typsettra in 1981
Caxton Initials by Frederic W. Goudy for ATF in 1905
Caxtonian by Charles H. Beeler for MacKellar, Smiths & Jordan in 1878
CBS Didot by Freeman Craw in 1966
CBS Sans by Freeman Craw in 1966
Celtic by Robert Trogman for Facsimile Fonts
Centaur by Bruce Rogers for Monotype in 1929
Cenotaph by Ed Benguiat ? for Photo-Lettering Inc. in ca. 1960
Century by Boston Type Foundry
Century Oldstyle by Linn Boyd Benton, Morris Fuller Benton for ATF in 1906–1909
ITC Century by Tony Stan for ITC in 1975
Century Bartuska by Frank Bartuska
Century Gothic by Monotype in 1991
Chad King by Albert Boton for Hollenstein in ca. 1974
Chambord Maigre by Roger Excoffon for Fonderie Olive in 1945
Claudius by Rudolf Koch for Klingspor in 1937
Champagne & Limousines by Lauren Thompson
Champion by Günter Gerhard Lange for Berthold in 1957
Chantry by Stephenson Blake in 1904
Charisma Script by Ed Benguiat for Photo-Lettering Inc. in ca. 1960
Charlemagne by Eleisha Pechey for Stephenson Blake in 1886
Charleston by Hubertus Carl Frey for Mecanorma in 1967
Charter by Martin Wait for Letraset
Charter Oak by Keystone Type Foundry
Chaucer by Joe Taylor for Facsimile Fonts
Cheltenham by Morris Fuller Benton, Joseph W. Phinney for ATF in 1896
ITC Cheltenham by Tony Stan for ITC in 1978
Chesterfield by Alan Meeks for Letraset
Chevalier by Emil A. Neukomm for Haas in 1946
Chicago by Fonderie Typographique Française
Chicago by François Robert for Mecanorma in 1969
Chicago by Susan Kare for Apple in 1984
Childs by Herman Ihlenburg for MacKellar, Smiths & Jordan in 1893
China by M. Mitchell for VGC in 1975
Chisel by Robert Harling for Stephenson Blake in 1939
Chiseled Initials by Gerald Gallo in 2003
Choc by Roger Excoffon for Fonderie Olive in 1955
Churchward Design by Joseph Churchward in 1970?
Chromium One by David Harris for Letreset in 1983
Ciclope by Enrico Reggiani for Fonderia Tipografica
Cimmerian by William W. Jackson for MacKellar, Smiths & Jordan in 1882
Circular by Laurenz Brunner for Lineto in 2013
Cirkulus by Michael Neugebauer for Neugebauer in 1970
Cirrous by Cleveland Type Foundry in 1885
City by Georg Trump for Berthold in 1930
Civilité by Morris Fuller Benton for ATF in 1924
Clarendon by Hermann Eidenbenz, Eduard Hoffmann for Haas in 1953
New Clarendon by Monotype in 1960
Clarendon Ornamented by William H. Page in 1859
Clearface by Morris Fuller Benton, Linn Boyd Benton for ATF in 1906
ITC Clearface by Victor Caruso for ITC in 1978
Clearface Gothic by Morris Fuller Benton for ATF in 1908
Cloister Black by Morris Fuller Benton, Joseph W. Phinney for ATF in 1904
Cloister Cursive by Morris Fuller Benton for ATF in 1926
Cloister Old Style by Morris Fuller Benton for ATF in 1913
Cloister AI by Phil Martin for Alphabet Innovations in 1975
Cloud Bank by Joe Taylor for Facsimile Fonts
Cochin by Matthew Carter for Linotype in 1977
Coffee Can as Clarendon Ornamented
Cola Script by Photo-Lettering Inc.
Collegiate by Vincent Pacella for Photo-Lettering Inc.
Columbian by Herman Ihlenburg for MacKellar, Smiths & Jordan in 1891
Columbus by Herman Ihlenburg for MacKellar, Smiths & Jordan in 1890
Columna by Max Caflisch for Bauer in 1955
COM4t Fine Regular by Hideki Katayama in 2006
Commercial Grotesk by Edmund Thiele for Haas in 1940
Commercial Script by Morris Fuller Benton for ATF in 1888
Commonwealth by Hansen Type Foundry in ca. 1900
Compacta by Fred Lambert for Letraset in 1963
Company by Martin Wait for Letraset in 1978
Computer by David Moore for VGC in 1968
Comstock by Inland Type Foundry in 1902
LSC Condensed by Herb Lubalin, Tom Carnase for ITC in 1970
Congress by Hansen Type Foundry in ca. 1909
Constanze Initials by Joachim Romann for Klingspor in 1954
Contura by Dick Dooijes for Amsterdam Type Foundry in 1965
Cook’s Circle by Gary Cooke for Zipatone for in 1976
Cooper by Anthony Nash in 2002
Cooper Black by Oswald Bruce Cooper for Barnhart Bros. & Spindler in 1922
Benguiat Cooper Black by Ed Benguiat for Photo-Lettering Inc.
Zip-Top Cooper Black by Photo-Lettering Inc.
Cooper Nouveau by Dave West for Photo-Lettering Inc. in 1960s
Cooper Old Style by Oswald Bruce Cooper for Barnhart Bros. & Spindler in 1918
Copperplate Bold by Stephenson Blake in 1953
Copperplate Gothic by Frederic W. Goudy for ATF in 1901
Coral T. Saglam for for Mecanorma
Coronet by Robert Hunter Middleton for Ludlow in 1937
Corporate by Roc Mitchell for Alphabet Innovations in 1971
Corsiva by Patricia Saunders for Monotype in 1995
Cortez by Phillip Kelly for Letraset in 1977
Corvina Black by A. Bihari for VGC in 1973
Corvinus by Imre Reiner for Bauer in 1929
Cottonwood as Gothic Tuscan Italian
Countdown by Colin Brignall for Letraset in 1965
Courier by Howard "Bud" Kettler in 1955
Coventry Garden by Nick Curtis for Nick's Fonts in 2004
Craw Clarendon by Freeman Craw for ATF in 1955
Craw Modern by Freeman Craw for ATF in 1958
Crayonette by Henry Brehmer for Keystone Type Foundry in 1889
Crawford by Hansen Type Foundry
Crillee by Dick Jones for Letraset in 1980
Criterion by Phil Martin for TypeSpectra in 1982
Croissant by Philip Kelly for ITC in 1978
Crosby by Joe Taylor for Facsimile Fonts
Crowbar Bold by M. Dolman for Mecanorma
Cruickshank by William W. Jackson for MacKellar, Smiths & Jordan in 1886
Crystal by Rémy Peignot for Deberny & Peignot in 1955
Cuban by Miller & Richard in 1873
Cubist by John Zimmerman for Barnhart Bros & Spindler in 1929
Cucumber by Karl Nassel
Cupid by David Farey for Panache Typography
Curly Hairline by Face Photosetting in 1969
Curlz by Steve Matteson, Carl Crossgrove for Monotype in 1995
ITC Cushing by Vincent Pacella for ITC in 1982
Cushing Old Style by Gustav F. Schroeder for Central Type Foundry in ca. 1880s–90s
Cut In by Maurice Schlesinger for Graphic Concept in ca. 1970
Cyclo by Andre Naegelen for Mecanorma in 1972
