D

Cabalistic by Herman Ihlenburg for MacKellar, Smiths & Jordan in 1879

Cabaret

Cabaret by Alan Meeks for Letraset in 1980

Cable Ultra Heavy by Letraset in 1980

Cactus

Cadence by Ray Cruz for Schaedler

Caledonia by William Addison Dwiggins for Linotype in 1938

Calendar by Ed Benguiat for Photo-Lettering Inc. in ca. 1960

California Grotesque

California Sans

Calypso by Roger Excoffon for Fonderie Olive in 1958

Camellia by Tony Wenman for Letraset in 1972

Camelot by Frederic W. Goudy for Lanston Monotype in 1896

Camelot = Nadall

Cameo Antique / Nightshaded by Charles H. Beeler for Mackellar, Simith & Jordan in 1874

Campaign by Alan Meeks for Letraset in 1987

Campanile by MacKellar, Smiths & Jordan in 1879

Cancelleresca Bastarda by Jan van Krimpen for Enschedé in 1934

Candice by Alan Meeks for Letraset in 1976

Candida by Jakob Erbar for Ludwig & Mayer in 1936

Candy by Face Photosetting

Candy

Canterbury by Morris Fuller Benton for ATF in 1926

Cantini by Letter Graphics in 1972

Capone by Tony Geddes for Face Photosetting in 1968

Capricorn

Capsule by Face Photosetting

Cardinal

Card Litho by Morris Fuller Benton for ATF in 1917

Card Mercantile by Dickinson in 1890s

Cardstyle Series by Sidney Gaunt for Barnhart Brothers & Spindler in 1914

Carling

Carolus

Carouselambra by Ray Larabie for Typodermic in 2008

Carplate by Mecanorma

Carlton by F. H. Ehmcke for Flinsch in 1908

Carmen

Carmencita

Carnase Text by Tom Carnase for WTC in 1982

Carousel by Gary Gillot for Letraset in 1966

Casablanca by Adrian Williams

Caslon 223 by Herb Lubalin, Tom Carnase for ITC in 1970

Caslon 224 by Ed Benguiat for ITC in 1983

Caslon 471 by ATF

Caslon 540 by ATF in 1902

Caslon 641 by ATF

Caslon Adbold by R. F. Burfeind for Keystone Type Foundry in 1913

Caslon Antique by Berne Nadall for Barnhart Bros & Spindler in 1894

Caslon Black by David Farey for Letraset in 1969

Caslon Graphique by Leslie Usherwood for Typsettra in ca. 1980

Caslon Headline by Herb Lubalin, Tom Carnase for ITC in 1970

Caslon Old Face by George Ostrochulski for Stephenson Blake in ca 1950

Heavy Caslon by ATF

Letraset Caslon Italic & Swashes by Freda Sack for Letraset in 1981

LSC Caslon Swash by Herb Lubalin, Tom Carnase

New Caslon by ATF

Castenet

Castaway

Cathedral by Martin Wait for Letraset in 1972

Cathedral/p>

Catull by Gustav Jäger for Berthold in 1982

Caviar Dreams by Lauren Thompson

Caxton by Leslie Usherwood for Typsettra in 1981

Caxton Initials by Frederic W. Goudy for ATF in 1905

Caxtonian by Charles H. Beeler for MacKellar, Smiths & Jordan in 1878

CBS Didot by Freeman Craw in 1966

CBS Sans by Freeman Craw in 1966

Celtic by Robert Trogman for Facsimile Fonts

Centaur by Bruce Rogers for Monotype in 1929

Cenotaph by Ed Benguiat ? for Photo-Lettering Inc. in ca. 1960

Century by Boston Type Foundry

Century Oldstyle by Linn Boyd Benton, Morris Fuller Benton for ATF in 1906–1909

ITC Century by Tony Stan for ITC in 1975

Century Bartuska by Frank Bartuska

Century Modern

Century Nouveau Swash

Century Gothic by Monotype in 1991

Chad King by Albert Boton for Hollenstein in ca. 1974

Chambord Maigre by Roger Excoffon for Fonderie Olive in 1945

Claudius by Rudolf Koch for Klingspor in 1937

Chamfer

Champagne & Limousines by Lauren Thompson

Champion by Günter Gerhard Lange for Berthold in 1957

Chantry

Chariot

Charisma Script by Ed Benguiat for Photo-Lettering Inc. in ca. 1960

Charlemagne by Eleisha Pechey for Stephenson Blake in 1886

Charleston by Hubertus Carl Frey for Mecanorma in 1967

Charrette by Letraset

Charter by Martin Wait for Letraset

Charter Oak by Keystone Type Foundry

Chaucer by Joe Taylor for Facsimile Fonts

Chevlot

Checkmate

Cheltenham by Morris Fuller Benton, Joseph W. Phinney for ATF in 1896

ITC Cheltenham by Tony Stan for ITC in 1978

Cheltenham Nova

Chesterfield by Alan Meeks for Letraset

Chesty as Sledge Hammer

Cheque by Boston Type Foundry

Chicago

Chicago by Fonderie Typographique Française

Chicago by François Robert for Mecanorma in 1969

Chicago by Susan Kare for Apple in 1984

Chicago 70

Childs by Herman Ihlenburg for MacKellar, Smiths & Jordan in 1893

China by M. Mitchell for VGC in 1975

Chisel by Robert Harling for Stephenson Blake in 1939

Chiseled Initials by Gerald Gallo in 2003

Choc by Roger Excoffon for Fonderie Olive in 1955

Chopin Script as Polonaise

Chubby

Churchward Design by Joseph Churchward in 1970?

Chromium One by David Harris for Letreset in 1983

Cicero

Ciceronian

Ciclope by Enrico Reggiani for Fonderia Tipografica

Cimmerian by William W. Jackson for MacKellar, Smiths & Jordan in 1882

Cinema as Epic

Circus Caps as Madame

Cirkulus by Michael Neugebauer for Neugebauer in 1970

Cirrous by Cleveland Type Foundry in 1885

Citadel Script

Citroën by Robert Delpire

City by Georg Trump for Berthold in 1930

Civilité by Morris Fuller Benton for ATF in 1924

Clarendon by Hermann Eidenbenz, Eduard Hoffmann for Haas in 1953

New Clarendon by Monotype in 1960

Clarendon Ornamented by William H. Page in 1859

Clearface by Morris Fuller Benton, Linn Boyd Benton for ATF in 1906

ITC Clearface by Victor Caruso for ITC in 1978

Clearface Gothic by Morris Fuller Benton for ATF in 1908

Cloister Black by Morris Fuller Benton, Joseph W. Phinney for ATF in 1904

Cloister Cursive by Morris Fuller Benton for ATF in 1926

Cloister Old Style by Morris Fuller Benton for ATF in 1913

Cloister AI by Phil Martin for Alphabet Innovations in 1975

Clotilde

Cloud Bank by Joe Taylor for Facsimile Fonts

Clyde = Modernistic

Cochin by Matthew Carter for Linotype in 1977

Coffee Can as Clarendon Ornamented

Cola Script by Photo-Lettering Inc.

Collegiate by Vincent Pacella for Photo-Lettering Inc.

Collins

Columbian by Herman Ihlenburg for MacKellar, Smiths & Jordan in 1891

Columbus by Herman Ihlenburg for MacKellar, Smiths & Jordan in 1890

Columna by Max Caflisch for Bauer in 1955

COM4t Fine Regular by Hideki Katayama in 2006

Commercial Grotesk by Edmund Thiele for Haas in 1940

Commercial Script by Morris Fuller Benton for ATF in 1888

Commonwealth by Hansen Type Foundry in ca. 1900

Compacta by Fred Lambert for Letraset in 1963

Company by Martin Wait for Letraset in 1978

Compass Casual

Computer by David Moore for VGC in 1968

Comstock by Inland Type Foundry in 1902

LSC Condensed by Herb Lubalin, Tom Carnase for ITC in 1970

Congress by Hansen Type Foundry in ca. 1909

Constantia

Constanze Initials by Joachim Romann for Klingspor in 1954

Contempo

Contest by Mecanorma

Cooper by Anthony Nash in 2002

Cooper Black by Oswald Bruce Cooper for Barnhart Bros. & Spindler in 1922

Benguiat Cooper Black by Ed Benguiat for Photo-Lettering Inc.

Zip-Top Cooper Black by Photo-Lettering Inc.

Cooper Flair

Cooper Nouveau by Dave West for Photo-Lettering Inc. in 1960s

Cooper Old Style by Oswald Bruce Cooper for Barnhart Bros. & Spindler in 1918

Copperplate Bold by Stephenson Blake in 1953

Copperplate Gothic by Frederic W. Goudy for ATF in 1901

Coral T. Saglam for for Mecanorma

Coronet by Robert Hunter Middleton for Ludlow in 1937

Corporate by Roc Mitchell for Alphabet Innovations in 1971

Corsiva by Patricia Saunders for Monotype in 1995

Cortez by Phillip Kelly for Letraset in 1977

Corvina Black by A. Bihari for VGC in 1973

Corvinus by Imre Reiner for Bauer in 1929

Cottonwood as Gothic Tuscan Italian

Countdown by Colin Brignall for Letraset in 1965

Counter

Courier by Howard "Bud" Kettler in 1955

Coventry Garden by Nick Curtis for Nick's Fonts in 2004

Craw Clarendon by Freeman Craw for ATF in 1955

Craw Modern by Freeman Craw for ATF in 1958

Crayon

Crayonette by Henry Brehmer for Keystone Type Foundry in 1889

Crawford by Hansen Type Foundry

Crillee by Dick Jones for Letraset in 1980

Criterion by Phil Martin for TypeSpectra in 1982

Crocket

Croissant by Philip Kelly for ITC in 1978

Crosby by Joe Taylor for Facsimile Fonts

Crowbar Bold by M. Dolman for Mecanorma

Cruickshank by William W. Jackson for MacKellar, Smiths & Jordan in 1886

Crystal by Rémy Peignot for Deberny & Peignot in 1955

Cuban by Miller & Richard in 1873

Cubist by John Zimmerman for Barnhart Bros & Spindler in 1929

Cucumber by Karl Nassel

Cupid by David Farey for Panache Typography

Curly Hairline by Face Photosetting in 1969

Curlycue

Curlz by Steve Matteson, Carl Crossgrove for Monotype in 1995

Curton

ITC Cushing by Vincent Pacella for ITC in 1982

Cushing Old Style by Gustav F. Schroeder for Central Type Foundry in ca. 1880s–90s

Cut In by Maurice Schlesinger for Graphic Concept in ca. 1970

Cyclo by Andre Naegelen for Mecanorma in 1972