D

Oakwood

Obelisk by Herman Ihlenburg for MacKellar, Smiths & Jordan in 1881

Oberon by Phill Grimshaw for Letraset in 1986

Obese by Ed Benguiat for Photo-Lettering Inc. in ca. 1960

Obliq by Ellipsis for Letraset in 1984

Ocean Current

OCR A by ATF in 1968

Octopuss by Colin Brignall for Letraset in 1970

Odessa by Peter O'Donnell for Letraset in 1988

Odin by Bob Newman for Letraset in 1972

Oeland

Ogden as Modula

Old Bowery by ATF in 1933

Old English Text in 1935

Old Style by Gustav F. Schroeder for Central Type Foundry in 1886

Oldgate Lane Outline by Nick Curtis in 2005

Olden

Oldenburg by Wim Crouwel in 1970

Olympia

Olympiad Black for VGC

Olympic

Ondine by Adrian Frutiger for Deberny & Peignot in 1954

Onyx by Gerry Powell for ATF in 1937

Nirvana logo

Op Letter by Walter Haettenschweiler in 1968

Opaque by by Charles E. Heyer for Barnhart Bros. & Spindler in 1888

Open Capitals Roman by Jan Van Krimpen for Monotype in 1929

Ophelia

Optex by Michel Waxmann for Letraset in 1970

Optima by Hermann Zapf for Stempel in 1952-1955

Optima Nova by Hermann Zapf, Akira Kobayashi for Linotype in 2002

Opulent by Phil Martin, George Brian for TypeSpectra Inc. in 1975

Or by Andy Song for Hollenstein in 1970

Orator by Leonard H. D. Smit for Amsterdam Type Foundry in 1960

Orbit B by Stan Biggenden for VGC in 1972

Organda by Franz Heigemeir for VGC in 1972

Orlando by Nebiolo in 1920

Orlando by Freda Sack for Letraset in 1986

Oriente

Ornamental Fleur De Lis

Ornate Roman

Orpheus by Walter Tiemann for Klingspor in 1926–1928

Ortem by J.H. Crook for Mecanorma

Oscar by François Boltana in 1997

Othello by Gustav F. Schroeder for Central Type Foundry in 1892

Othello by Morris Fuller Benton for ATF in 1934

Otto by Non-Format for HypeForType in 2009

Our Bodoni by Tom Carnase, Massimo Vignelli for WTC in 1990

Outline by Kari Lilja for Mecanorma in 1972

Ovidius by Thaddeus Szumilas for Group Type

Oxford by Christine Lord for Face Photosetting in 1969?