D
Extra Bold

Advertisers Gothic by Robert Wiebking for Western Type Foundry in 1917

Airport by Baltimore Type Foundry in ca 1943

Alpha by Hiroshi Yamashita for Schaedler in ca. 1970

Antique Olive by Roger Excoffon for Fonderie Olive in 1962

Anzeigen Grotesk by Haas in 1943

Aurora Grotesk by Johannes Wagner for C.E. Weber in 1912

Avant Garde Gothic by Herb Lubalin, Tom Carnase for ITC in 1970

Bauhaus by Ed Benguiat, Victor Caruso for ITC in 1975

Bernhard Gothic by Lucian Bernhard for ATF in 1929

Bigband by Karlgeorg Hoefer for Ludwig & Mayer in 1974

Black Body by Peter Steiner for Berthold in 1973

Blast

Blippo by Joe Taylor for Facsimile Fonts in 1969

Block by Heinz Hoffmann for Berthold in 1908

Bolt by Tom Carnase, Ronne Bonder for ITC in 1970

Broken Detroit by Guilhem Greco for Herofonts in 2013

Cable Ultra Heavy by Letraset in 1980

Charter Oak by Keystone Type Foundry

Churchward Design by Joseph Churchward

Eden

Elegant Grotesk by Hans Karl Gustav Möhring for Stempel in 1928

Elephant by Dave West for Photo-Lettering Inc. in 1960s

Embrionic by Ilja Feldstein for Graphic Systems in 1972

Encore

Eras by Albert Boton, Albert Hollenstein for ITC

Ergo

Flyer by Linotype

Folio by Konrad Bauer, Walter Baum for Bauer in 1957

Futura by Paul Renner for Bauer in 1924-26

Futura Extra Bold by Edwin W. Shaar for Intertype in 1952

Gill Sans by Eric Gill for Monotype in 1927

Gothic by Edwin Allen in 1837

Gothic Bold by George Nesbitt

Granby by Stephenson Blake in 1930

Helvetica by Max Miedinger, Eduard Hoffmann, Arthur Ritzel for Stempel in 1960

Impact by Geoffrey Lee for Stephenson Blake in 1965

Neue Hass Grotesque by Max Miedinger, Eduard Hoffmann for Haas in 1957

Permanent by Karlgeorg Hoefer for Ludwig & Mayer in 1962

Publicity Gothic by Sidney Gaunt for Barnhart Bros & Spindler in 1916

Pump by Bob Newman for Letraset in 1970

Railroad Gothic by ATF in 1906

Sans Serif Shaded by Stephenson Blake in 1839

Sledge Hammer by Alphabet Innovations in ca. 1971

Super Grotesk by Arno Drescher for Schriftguß in 1930

Univers by Adrian Frutiger for Deberny & Peignot in 1957

  • Slab Serif/Egyptian
  • Latin Serif
  • Humanist
  • Bodoni
  • Caslon
  • Didot
  • Garamond
  • Bookman
  • Goudy
  • Trajan
  • Romana
  • Rubens
  • Baskerville
  • Windsor
  • Quaint
  • Copperplate
  • Grotesk
  • Humanist
  • Futura
  • Kabel
  • Bauhaus
  • Bank
  • Extra Bold
  • Condensed
  • Rennie Mackintosh
  • Script
  • Calligraphy
  • Brush
  • Sketch
  • Primitive
  • Medieval
  • Blackletter
  • Initial
  • Rococo Victorian
  • Art Nouveau
  • Art Deco
  • Psychedelic
  • Western/Circus
  • Oriental
  • Futuristic
  • Rounded
  • Pacman
  • Cubism
  • Square
  • Swash
  • Ornamented
  • Holiday
  • Antique
  • Typewriter
  • Lines
  • Stencil
  • Dots
  • 3D
  • Neon
  • Abstract
  • Digital
  • College
  • Corporate